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KISS: Destroyer Transcript


Music Rewind welcomes Tommy Wood to discuss Destroyer by KISS.


A great conversation about how a young 7 year old’s life was changed by one album.


Album: Destroyer Artist: KISS Year: 1976


Check out Booklikker Hot Sauce - created by this week’s guest. Excellent stuff.


Transcript as follows:

Participant #1:

Hello and welcome to Music Rewind, a podcast where we look to tell the stories behind our favorite albums. I'm your host, Steve Epley, and in each episode, I will invite a guest to tell us about their favorite favorite music album, how they discovered it, and what makes it special to them. Joining me today is a friend of the show and a true Renaissance man, tommy Wood. Tommy is an artist, a musician, a filmmaker, all from Jefferson, Georgia. He's the creator of one of the best hot sauces known to man, boot licker hot sauce. Welcome, Tommy, and thank you for being on the show. Well, thanks for having me, Steve. I really appreciate it. It's going to be a lot of fun. Yes. You are one of the guys that I immediately thought of when I started this project because I know you have a lot going on and you have some unique and interesting music tastes as well. So I wanted to pick your brain on these things. Yeah, I like everything from Metallica to James Taylor. Well, we'll jump right into this. What is your favorite album and how did you discover it? Well, when you pose this question to me, it was a difficult choice, but I had to come back to the album that kind of sculpted me for the future of my musical taste, and that is Kiss Destroy.


Participant #1:

It's, the first album that really got my attention as a kid. I grew up loving Elvis and impersonating him with my mom's scarf in front of the mirror, singing along to Elvis in Hawaii and all those great albums. Nice. But when my sister came home with Kiss Destroyer, some guy that liked her on the bus gave it to her. Now, Grant, she's ten, and I'm six, so it wasn't like we were even in high school. She didn't like the album, so she gave it to me. And so if you've ever seen the album cover and of course you have with the listeners, you get Kiss on there and they're full 1976 glory. And it was the combination of the comic books I loved and the horror movies I love, the Hammer horror movies. It was like everything. And then you actually put it on the turntable and it kind of scared me. I'm six years old. There's this morning news playing with this guy who's in a wreck, and then it goes into Detroit Rock City, and I've never heard music like that. I'm six years old, and the guitars and the drums and the energy, just everything about it just grabbed me.


Participant #1:

Have you been aware of Kiss before this? Because this is their fourth album, I was trying to decide if I was aware of them. I believe I did know of them, but had never actually you know how it is. You grow up seeing, like, Leonard Skinner album covers or Led Zeppelin T shirts, but you're like, have I ever actually heard their song, that kind of thing, when you're really young. So I don't think I had heard them. But what is interesting about that is right after that, they were on the Howland Halloween special. And I'm not sure if you're familiar with him. No. But he was a popular comedian of that era, and I can send you the link later to their segments on the show. I pulled it up to show my wife for Halloween. But anyway, it kind of culminated to where I was given the album. I kind of, like, got sucked into this Kiss world, and then they're on TV, and then next thing you know, I'm in second grade. I'm creating the Kiss fan club in my classroom. That's great. I was drawing, like, Ace Freelay on balloons and giving them to people. So when they blew it up, his face was really big. It didn't look that good, but I tried. Ace Freely. Is that the star? No, Ace is Space Ace. He's the one with the silver face paint. Okay, you got Jean Simmons, Ace Freely, Paul Stanley and Peter Chris. Peter Chris. The original line up. Yeah. I had never listened to this album. I knew maybe three songs off of it, and that's about it. But it was definitely a fun listen. I immediately thought of the movie Detroit Rock City. I have a better appreciation for it now. It was a great movie anyway. But now, having listened to the songs that they referenced throughout the movie, now I get some of the other jokes that they make in it. This record is almost tailor made for that. I mean, you were younger than what I was thinking about, like, ten to 21 age group in the 70s. It's just tailor made for that audience, for sure. When I was growing up as a six to seven year old, Star Wars, the original New Hope came out when I was seven. When I think back about who I was then, I feel older in my mind. And when I look at pictures of me when I was that age, I'm like, Wow, I thought I was pretty hot stuff, but I was like, a little seven year old kid. But I think because I had older sisters, some of those things that might have appealed to the ten to 20 year olds was already kind of in my peripheral. And so I grabbed onto some of that stuff maybe a little sooner. But as far as you not having listened to it before in me going back to it, because it's not an album that I listen to all the time, but it is the one that, when I really looked at everything in my past, it's the one that, like I said, it really informed who I would be as a musician. The things that I love, even though I have a wide variety of genre taste, is the hooks, the big guitar hooks, the riffs, the singability of it and that album, other than maybe one song, like, you're saying you knew about three of them, because some of their biggest hits are on that album, but every song on there to me, except for maybe one, has that same caliber. They're just not as well known, but they have the same sort of perspective to the lyrics. None of the Kiss lyrics will change your life, but they still have that perspective. So it's either going to be kind of gothic metal or it's going to be party. Yeah, that's the feel you get with this Al, because there's no subtext. They're pretty blatant in what they're singing about, but they kind of come across, we are rock gods and we know it, and that's what we're going to sing like. Yeah, they start with Detroit Rock City, which kind of shows what can go wrong if you're a rock god or if you're out there being crazy, but then it kicks right into King of the Nighttime World, which is all about being that crazy guy.


Participant #1:

And to hear that as an impressionable young kid, it's who that kid, that rebel kid is going to want to be. I did have an early rebellious stage, but some of that was just friends. It wasn't just an album. It wasn't even just a genre of music that I liked. But I was going to actually bring up the fact that when I was six and seven years old, a lot of those lyrics, I had no clue. I thought, well, that's a really weird thing to say. What is he trying to say? Therefore? Okay, I get it. That's been a trend for some of the albums that we've gone through on this project, like Van Halen and others. You've got a ten year old kid. I don't know what the hell we're talking about, but it rocks. Yes. My wife and I will listen to stuff, and I do this thing called rock and roll trivia, and I'll offer her points and my kids, too, but if it's my wife and I, I will point out songs that are actually about sex, and she's like, that song is not. And I said, yes, it is. Listen to it again. And some of the ones that she wouldn't expect, songs by Seal or Train, she's like, Wow, I didn't get that at first. I might have to steal that. Do that with my wife. Yes, rock and roll tribute is fun if it's a really long shot, like, I know she's not going to know a song by a band named Rainbow that I love from the 70s. I'll offer, like, 50,000 rock and roll points, knowing she's never going. The Dio Dio sang with them for a while, but Joanne Turner was actually, in my opinion, probably their best singer. Okay, street of Dreams. Can't think of the other big hit right now, but anyway, not to get off the Kiss path, there's a song by Weezer called in the Garage. Have you heard that? I feel like I have, but it's not coming to mind. It's off their Blue album. There's a whole verse about Kiss and the rock stuff they used to listen to in their garage when they were kids and anything. I've got Ace Freely, I've got Peter Chris waiting here for me,


Participant #1:

hearing this album. I can hear little bits in some of the more unknown Weezer songs. I listened to a lot of Weezer a long time ago and I can hear that influence there. So that was another cool thing to hear. Have you heard the Van Weezer stuff where they're kind of emulating a little Eddie Van Halen and that stuff in there? No, it's a whole album. There's a couple of really great songs on there that came out maybe a couple of years ago. But I find it interesting that a band like Weezer that I like was so heavily influenced by bands I grew up with kiss, Van Halen, Toto, they did the remake of that. And so it's interesting to see guys that are so influenced by those things that I was come out with their own vibe that's completely off that. But you do hear little bits of those things in it. Oh, definitely. The album Detroit Rock City, then King of the Nighttime World. And then that goes into an even heavier song with God of Thunder, which I really like. This one. This is one I hadn't heard, let me tell you. That's a great song, live. I mean, growing up a good Christian boy, even as a little kid, I always struggled with the Take Your Virgin Soul or whatever it says in there. It's over the top.


Participant #1:

It's a great song. Live. I finally got to see them two, three years ago, live. I had never seen them live before. I didn't know there was still tour. Oh, yeah. This is the end of the road tour. They claim it's the last one, they claim. Although there's still rumors they might do a residency in Vegas. You know, that kind of thing. Yeah, I've seen the Eagles twice since their original Farewell One tour. Yeah. Those older vans, they got to keep it going, which I don't mind, but that was the first time you got to see them. Yeah, for sure. I took my two older kids. We were trying to go on a budget, so we didn't take everybody. But if they come back around, we might I'll just see if I could convince Michelle to go with me. I doubt it, but that one might be a stretch. You can get it pretty good, but yeah. Got a Thunder, you say? Very heavy. But it's I didn't know if they were, like, singing about Thor or whatever, but it felt like they were singing, say, about comic book stuff. And I don't know if that was their inspiration there, but when you gave me this album that you were bringing to the table. You said, Listen to this as a seven year old, you were your instructions. And that song right there just kind of fits right into that mold. It fits it well. It does. And yeah, whether it's Thor or whether it's some made up because the Gene Simmons character is the demon and all that, seven year old boy. I mean, it just right up that alley. Track four, though, changes everything on that album to me because it's a huge shift with great expectations. That's the one song I was going to bring up because even though I had listened to that song many times, having broken it out again recently for this interview, I had forgotten how bad those lyrics are. Just on the nose, cheese. Ridiculous. And the music is also not so good. It's like just this kind of meandering, not so good verse, but then the chorus is pretty good. So you just have to decide, do I sit through this to get that papa chorus?


Participant #1:

Usually it's a skip for me. Okay. That's when I can feel the producer. Kind of neat that they actually have Bob Ezra as the producer on the south, the engineer. And he went on to produce The Wall for Pink Floyd. Yeah. Big producer. This is one song that I could definitely see his influence on heavily because it just doesn't sound like any of the others, but it's enjoyable. It's not really a repeat listen to rock out to, but it's a good listen to just as the orchestration comes in, if you're a fan of that sort of thing. I am, but that was the Kiss style guitar laced over in it's an interesting listen, but yeah, like you said, not one to hit repeat on. Yeah. Especially when you really listen to the lyrics of the verses he's kind of singing to groupies. More or less. Yeah. It's over the top. Yeah. Not subtle even for that era. Yeah. I can see why some extremely hard line parents would be not too happy with their kids listening to this. But like you said, kids don't even understand the lyrics at the time. Right? No, we didn't really. And in fact, I started playing guitar in middle school and I had my mom get me the AC DC Back in Black song and she apparently read the lyrics. I never really paid attention to lyrics, not much. I mean, I knew the main courses and stuff, but apparently she almost didn't give it to me because my sister said she read the lyrics and was like but she ended up giving it to me. I don't know what maybe she shouldn't have. My parents never had a problem with any of the music I listened to and that's even with me at times, singing rap lyrics in the early 90s, not really knowing the context of what I was saying. Yeah. Track five, you get right back into kiss main form with Flaming Youth, kind of an anthem to other young fans. And that was a big thing, I would say, from 75 to 89, was these kind of we Will Rock you kind of songs, not We Will Rock You like Queen, but more like Deaf Leopard. Let It Rock. All these songs like Let It Rock and We Will rock, rock, rock. And so that song is very much in that same anthemic vein of We Are the Youth. Our parents don't understand, like Alice Cooper, I'm 18. We're not going to take your shit, we're going to run this town.


Participant #1:

But when you look at the lyrics and the song kind of tame by today's standards, but fits with the album and fits with their message. People used to have to people used to have to be more poetic, if you want to call it poetic, about what they were saying. These days, they just drop deaf bombs everywhere and say whatever they want to say right on the nose. And I was telling my kids, if you heard a song with a cuss word in it, like even a minor cuss word in the 70s or 80s, that was like it was very on purpose. It wasn't just a flippant thing. They were bold enough to put that in there because they felt like they had to say it. There was more of a respect, I guess, musically and lyrically back then. Yeah, I can agree with that. Even if songs from the Lewis, My Dinga Ling, weird stuff like that, there's always been stuff buried under the surface, or maybe right on the surface. When I was ten or eleven, the Chuck Barry version of My Dingling was on the jukebox at our bowling alley, so we had our youth bowling league. That song got played like three or four times an hour because everybody thought they were so clever. Moving to track six, we've got Sweet Pain, which is pretty much an S and M song. Again, not subtle. As a six year old, I'm like, I don't know, like the song, whatever.


Participant #1:

I did read an interesting note, though, that pretty much Ace Freeley's guitar is replaced in this song by Dick Wagner because he was pretty much uninterested drunk and wanted to go play cards. So they just had this other guy come in. They've had a lot of trouble with Ace over the years. Yeah, they have, yeah. I don't know anything about any of the band dysfunction, but there was quite a bit of creative conflict during this album and he's not actually officially in the band now. Oh, really? They tried to get him back a few years ago, but he's been chronically high and problematic. Are all the other original members, though, like, when you saw them, Peter Kiss, he's kind of retired, so they've got a younger guy who can keep up with the drumming because that's a pretty tough task, I guess. But Paul and Jean, they basically own the band. And they're obviously still in it. Not to wrap it up. They say with the makeup gimmick, they can put anybody in there as long as they've got a resemblance and sound the same. They've talked about doing that, kind of carrying it on almost like a tradition. I don't know if they'll actually pull the trigger on that. And I don't know if you're familiar with their sort of mid stage kiss where they took the makeup off for the 80s hair metal era. I remember the terrible video for Lick It Up. Oh, yeah. There's two or three terrible videos. Yeah. Whenever it's like a documentary of babies music or something, they'll always show that a clip from that video, and it just looks so awkward. They're pulling off these lyrics, staring at the camera with a serious face and no makeup. It just doesn't work. Yeah. But saying these lyrics with full get up and pyro and everything, and then the gigantic heels on stage, I could see it working tremendously. And obviously they went back to that for the nostalgia factor. And I wasn't like a fateful Kiss follower. Decade after decade. It was more like for me, I was in the 70s Kiss pre, taking off the makeup. They had kind of a weird period there where they were more in Japan than they were in the US. And then after the 80s hair metal stuff got snuffed out by Grunge. A couple of years later, they came back with their whole get up with the makeup and everything and just kind of doing the nostalgia tour. But maybe not as big as Iron Maiden, but kind of like Iron Maiden. Just keep going with what they're doing. And of course, Maiden is making new albums. Not to segue too much off the trail here, but I don't know if you knew iron Maiden's new album beat Drake in London on the charts. Really? Yeah. It's a good album. Check that out. I didn't know they had a new album. I didn't know they were making new. Yeah, good for them. How many original numbers are still with them, though? Well, they replaced nico is the drummer now. It was decades ago, but everybody else is original. That's also impressive. Then track seven, we go to the main song that I had heard many times, shout It Out Loud. Oh, yeah. One of the biggest songs ever. Yeah.


Participant #1:

Another party. Anthony and I can only imagine being in the crowd for this tour in that song. I probably had a wild time. I had to be a crowd pleaser. And then in track eight, you've got Beth, which what's your take on Beth? Huge hit. And I loved it from the first day I heard it. I was thinking about it and thinking about this interview. If you're familiar much with and some of your listeners will be the 80s trend for all these harder rock bands to have this emotional ballad. Well, they did that ten years before that was the thing. So it was kind of like a precursor to what was coming with Poison, having Every Rose Has Its Thorn and things like that.


Participant #1:

I think the song is great live. It's a little weird because they have the guy come out and I think he's pretending to play and sing it and I think he's pretending to play the piano just so that he doesn't have to worry about but then right at the end, they all kind of come in. The rest of the band comes in behind him like it's some big touching moment. So that's a little weird when they're all makeup and spiky heels, it's a really touching moment. That would be funny. But no, I like it. What do you think of it? I used to get this song mixed up with Babe from Sticks. Don't hate me for that comment if compared to Sticks. But they came out probably within three years of each other. And similarly a Polarizing song within the band, both bands themselves. True. Because Beth was supposedly written by Peter Chris that's, I guess, debatable, depending on who you talk to in the band and his previous band. But I believe it's sung by him, too. It is? Yeah. It's not a bad ballad. It's a nice departure from the heavier songs on the album. It just kind of takes you slows you down if you're listening to the album all the way through. Which is what a good valid will do. It's good valid? Yeah. I don't want to have a problem with it. I hear you calling but I can't come home right now me and the boys are playing and we just can't find a sound. You know how we all have those things from our childhood and it instantly takes you back? That's one of those songs takes me right back to those days of eating barbecue potato chips and drinking Dr. Pepper and not caring about how many calories it was watching kung fu movies. Yeah. I mean, it just takes me right back to being kidding. I saw Warrant several times when I was in the service and you mentioned the ballads and I saw Red and Heaven. They're two big ballads. It's a shame the lead singer died, but they actually put on a great show. I've seen them several times, but every time they had to sing the ballads the lead singer would step out and be like, okay, we have to do this. It's in the contract. And they'd sing a few lines of Heaven and then they'd cut into a few lines of I Saw Red and then they'd move on to something else. Like they hated playing them, but they like to the contract. If you're in a band and you've hit one out of the park like that and your fans love it, you're going to be playing it forever. So this is what it is. Yeah. Their chosen profession and what gets them there. Keep the fans happy. Yeah. The track nine is Do You Love Me? Which is a good song. Yeah. It's one of my fans on the album. It's got a bit more of a message than the rest of them as far as thinking about, do you really love the person or you just love my rock star excess. Exactly. Yeah. There's a little bit more message there. You're right.


Participant #1:

I kind of wish that it would have ended on track nine. Track ten didn't really do anything for me. So what do you have on track ten? Rock And Roll Party, which is just an instrumental ending and little bits of vocals. I don't remember that being on my original vinyl, which my dad gave to Goodwill, and I don't know why he did that, but he gave all my vinyl that I left at the house to Goodwill. But anyway, I got some albums worth some money then. Yeah. So I don't remember that as a kid being on there, but when I was listening on Spotify, it kept coming up and I'm like, what is this trash at the end? I mean, it's just audio trash. There's nothing really going on. And it's literally a minute and a half. The album is only 34 minutes to begin with. It's a quick album, so I don't really see the purpose of that little thing at the end. I don't want to go with something with the vinyl to tie it into the news report on the inside. I was about to say, that vinyl, it's been a while since I played any vinyl and let an album just play, but it would kick back to the beginning. Right. So maybe that was the idea from a producer standpoint. Well, I know a lot of H tracks had to do that. They had to put something in there to fill that little bit of gap. Yeah. So maybe it was a technical decision left over from an HVAC. I could very well could be, yeah. I was like, what is this? I don't remember this. I don't really count it. That solves my problem. So then the album did end on Do You Love Me? So that works well, I double checked it because when that came up, I was like, Hang on. And so I googled the track listing to make sure it was right, and it didn't come up on. That when I did a search for the track listing. So I thought maybe in the 2021 remaster that they did of Destroyer, maybe somehow it got put in then. Or maybe it was they figure out, Oh, yeah, we used to have this there and they put it back. I don't know, but it just doesn't matter. Does any Listers out there know the origin of Rock And Roll Party? Let us know. Somebody let us know. Let us know. I'm curious now, because it literally is just bits of nonsense. Yeah, for a little while I was wondering if it's some kind of a voodoo ritual,


Participant #1:

but overall this was a fun listen. It's not one of my top forever, but I'm glad you brought to the table. I may look into some other Kiss albums to see how they started and how they evolved because that's something I'm pulling out of this whole project, is band evolutions, which is pretty neat. And this is kind of, I think would you say this is them at the top of their game? I would say so. Live the first Kiss Alive album. A lot of people would say that is the sort of pinnacle of their broad appeal and their writing, et cetera, et cetera. But for sure mid 70s Kiss was what we all loved about Kiss and that's why we go see the shows now, is to relive that you're talking about. This opens up some avenues for you, like, hey, I'm going to check out some more of this band, or whatever. I remember going to a summer camp one time. We had a listening room that was at a college campus and this guy introduced me to Dooby Brothers. I'd never heard them. I'd heard them, but didn't know who they were. So you hear stuff on the radio and I'm like, I don't know who that is, or whatever, but we used to just sit around that listening room with Headphones On listening to Dobby Brothers and that opened this kid who had been all metal all the time, starting to listen to things like that a little bit, getting more into Skinners and some stuff a little bit more soul. I had a similar thing in high school where we had a garage and me and my circle of friends, we would sit and listen to just album upon album. And I had an older cousin that would bring albums in, things we hadn't heard before, but that's where we got really deep into Pink Floyd, Zeppelin. We kind of worked our way through a lot of the classic Rockets where I discovered Black Sabbath and then Ozzy solo and things of that nature. But then also there's a lot of rap in there, too. But yeah, I won't admit that publicly you have more rap than me.


Participant #1:

The mid 90s were an interesting time for hip hop. Tupac and Biggie were just been killed, so there was kind of a weird gap of some interesting hiphop in there. I think music was trying to find its way, too, and emerging technologies and napster and just all kinds of stuff was brewing. It was an interesting time. Yeah. Shame Kiss never really made our rotation, though, because I think we would have enjoyed it back then. Being 15, 1617 years old, I think we would have enjoyed some of these tracks. Well, you mentioned Ozzy. For me, middle school is obviously kids lay a great foundation for what I would mostly like, the style of what I would like and the big hooks and the big guitars and drums. In middle school I get into Ozzy and Maiden and do and all that stuff. That stuff is very formative for me as well. And so, like I said, when you asked about what album would you pick, it's like really tough because so many of them are important to me. And even though Kiss Destroyer is not literally when I go play on a day when I'm just bored or working in the yard, it definitely helped to create my musical taste. So Kiss Destroyer made the top of that particular list. What's on your short list? What almost made it? Well, so I don't know how familiar you are with this being Striper Christian Metal from the 80s. That was from 9th grade on my middle school. I was kind of a wild kid listening to all the regular medal. By 9th grade I was Mr. Christian Medal. I heard Yellow Black which was great, but Soldiers Under Command, that was the album that really just kind of put them on track to be huge as what they were. Black Album by Metallica was a big album for me. A lot of people don't like that era of Metallica. They want the old just Master of Puppets stuff. But I loved how they blended a more commercial sound with their style. Hence a throwback to Kiss Destroyer which was very commercial but heavy. And so that's just kind of where I fall. I mean, I liked Creed back in the day. If you know anything about Alter Bridge, which is basically all the guys from Creed with Miles Kennedy singing, they are one of my favorite bands right now. Dirty Honey. I mean, there's a lot of stuff that I'm really into now. Royal Blood


Participant #1:

didn't make the cut just because the islands came later. Was Soldiers Under Command, striper, Metallica, the Black Album, those were two that were competing for the Spot XL. I have heard of Stripe, but I couldn't name me a song. Was it something that I listened to? But the Black Album has been formidable for me. That was my gateway into Metallica along with many other people. Interesting thing about Striper, they like Kiss are still touring and playing and writing new stuff. Oh, really? So they've got songs in the past ten years that I like just as well or better than the things they come out with in the late 80s. It's a more seasoned, more mature sound. So I'll send you a couple of links to some things to check out. Yeah, send me those. I'm interested to see it. Well, tell me before we wrap this up, tell our listeners what you're working on or if they could find you or anything you would like to pitch. Let's see, what am I working on? My son and I are writing a screenplay that we hope to produce and I'll direct and he'll do the composition. That's when my son went to school for music composition and cinematic. Whether it be TV or film, your listeners won't know much about me. But like you said earlier, I have my hands on a lot of different things. I have a hot sauce company, Bootlegger Hot Sauce. So Bootlegger.com with two KS. Go check that out. But I also directed and produced a feature film back in Nine, and that's called Grilling Bobby Hicks and won a couple of festival awards. But it has its moments, let's just say. That nice. So that's where my long term goal is, to be back in the film business. It's been a hard time rowing kind of back in the director's chair. Every investors, there's so many factors you have to consider. I learned a lot on the first one. I know how to knock park on the next one. I'm starting to work on some new mute myself. I actually was in a band between 2002 that was doing well. That imploded. I spared a long story, but we were doing really well. And when things didn't work out, I didn't touch a guitar for ten years. I was ticked off at music and ready to do something else. Lately with my son being a musician, incredible musician and just my love of music and he's a great drummer, we've gotten back into it. And so I'm writing some new stuff. That's where I'm at right now. I'm working towards a new film or some new music, continuing to market and Bootleker Hot Sauce. Trying to get that out there and still do some client work. I'm a designer and video producer as well. I can attest to the hot sauce. That's good stuff. I got to get you all the barbecue sauce. It's brand new. Oh, yeah, I'd love to try that.


Participant #1:

Absolutely. That's kind of a thin Carolina style. We'll put some links in the show notes to the hot sauce and everything so you guys can all the listeners out there, however many there are, who knows? But I encourage everyone to go check that stuff out. It's really good. Well, Tommy, I'd like to thank you for your time today and it was a pleasure to sit and talk with you about Destroyer from Kiss. Yeah, thanks for having me. And I wish you on the podcast. Much success. We'll get you back on when you get your movie rolling and stuff you can tell us about it. Sounds good. Thank you for listening to Music rewind a podcast from the Sidereal Media Group. As I always say, listen to the full album. Until next time,


Participant #1:

a podcast from the Sidereal Media Group. Back to you. Anchors.





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